Common eigenfunction of the formants and
the overtone spectrum of the tone
in the musical force-fields
Universal synthesis of the formants and the overtone spectrum of the tone in the musical process of creating – 7.3.5.17.00

•  in the musical harmony-space
•  in the musical sequence-space
•  in the musical motif-space
•  in the musical tone-space
•  in the acoustic space

SEMINAR

   7.3.5.17.01
Common eigenfunction of the formants and the overtone spectrum
of the tone at the transition from the force-field of our self-awareness
to the force-field of our intellect

   7.3.5.17.02
Common eigenfunction of the formants and the overtone spectrum of the tone at the transition from the force-field of our intellect to the force-field
of the musical harmony-space

   7.3.5.17.03
Common eigenfunction of the formants and the overtone spectrum of the tone at the transition from the force-field of the musical harmony-space
to the force-field of our feeling

   7.3.5.17.04
Common eigenfunction of the formants and the overtone spectrum of the tone at the transition from the force-field of our feeling to the force-field
of the musical sequence-space

   7.3.5.17.05
Common eigenfunction of the formants and the overtone spectrum of the tone at the transition from the force-field of the musical sequence-space
to the force-field of our understanding

   7.3.5.17.06
Common eigenfunction of the formants and the overtone spectrum of the tone at the transition from the force-field of our understanding to the force-field of the musical motif-space

   7.3.5.17.07
Common eigenfunction of the formants and the overtone spectrum
of the tone at the transition from the force-field of the musical motif-space
to the force-field of our hearing

   7.3.5.17.08
Common eigenfunction of the formants and the overtone spectrum
of the tone at the transition from the force-field of our hearing to the force-field of the musical sound-space

   7.3.5.17.09
Common eigenfunction of the formants and the overtone spectrum
of the tone at the transition from the force-field of the musical sound-space
to the field of our inner voice

   7.3.5.17.10
Common eigenfunction of the formants and the overtone spectrum
of the tone at the transition from the field of our inner voice to the force-field
of our mind

   7.3.5.17.11
Common eigenfunction of the formants and the overtone spectrum
of the tone at the transition from the force-field of our mind to the field
of our neurophysiology

   7.3.5.17.12
Common eigenfunction of the formants and the overtone spectrum of the tone at the transition from the field of our neurophysiology to the force-field
of the acoustic space